Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers: August 2014

Sunday 31 August 2014

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Indian Lehenga Online Biography

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Lehenga or lehnga or Ghagra or Pavadai in Tamil or Langa in Telugu and Kannada is a form of skirt which is long, embroidered and pleated. It is worn as the bottom portion of a Gagra choli or Langa Voni. It is secured at the waist and leaves the lower back and midriff bare.In North India a lot of embroidery work is done on a lehenga and is popular during the festivals and weddings.

History

The ancient version of skirt or Ghagri evolved from Bhairnivasani, which in turn evolved from the Antariya when stitched on one side became tabular and was worn gathered together at the waist, and held by a girdle. This was one of the earliest forms of a clumsily stitched skirt. It was worn using drawstring or nada.

Variations

The ghagri was a narrow skirt six feet long the same length as original antariya. This style can still be seen worn by Jain nuns in India.
In Andhra Pradesh it is called as Langa and part of the dress Langa Voni.

Dupatta

The Dupatta is a shawl or large scarf that is worn together with the lehenga and the choli. Until early 21st century Dupatta was the most decorative part of gagra choli, while rest of the garment was more simplistic, especially the gagra. Dupatta is worn in many regional styles across India. Most common style since early medieval times was to pleate the dupatta on the one end and tucking it into the front of the gagra and wrapping it across the waist and over the shoulder or head, similar to the way sari is worn. While women who worked in the farms tucked both ends of dupatta into their choli.

Originally, it was worn as a symbol of modesty. While that symbolism still continues, many today wear it as just a decorative accessory. There is no single way of wearing the dupatta, and as time evolves and fashion modernizes, the style of the dupatta has also evolved.

Fabrics

The lehengas are made of a number of fabrics such as Silk, Cotton, Khadi,Georgette, Crape, Net, Satin, Brocade and Chiffon. Even though designers have successfully used the various kinds of fabrics for making the lehenga, silk is still the most preferred fabric.

Decorative stitching

Apart from the fabric, decorative stitching patterns also play a role. Lehengas come with a wide variety of decoration and embroidery work like Gota, Phulkari, Shisha, Chikankari, Zari, Zardozi, Nakshi, Kundan, etc. For festivals like Navratri, the ethnic Shisha embroidery is popular with a bit of patchwork. For formal wear and weddings, the embroidery is heavier in pearls, silk, sequins and zari.

Kutch embroidery is an evolving expression of the craft and textile traditions of the Rabaris, a nomadic tribe in Gujarat.Kutch work is unique in the sense that a net is woven on a cloth using thread.The net is then filled in using the same thread by intricate interlocking stitches. The patterns are usually built around geometric shapes.This embroidery follows its own traditional design logic and juxtaposition of colours and motifs. The Rohanas tribals of Kutch specialise in skirt work. The Sodhas use a geometric style for their embroidery. The Garacia Jats are experts in tiny embroidery on the yoke, which intermingles with red, orange, blue and green threads. The Dhanetah Jats love embroidering broad pear-shaped mirrors using orange, black, yellow and red in chain stitch.

Festive attire

The lehenga choli is the favourite female apparel worn during festivals, weddings or special events in India. This is due to traditions as well as of the fact that it is available in a number of fabrics with many different decorative choices. Traditionally the sari and the lehenga choli are the most popular garments for the bride in India. But it is a common bridal attire mostly in North India and is also the traditional wear of Garba festival in Gujarat.

Indian Lehenga Online Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Indian Lehengas Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Indian Lehengas Biography

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A choli (Hindi: चोली, Gujarati: ચોળી, Marathi: चोळी, ravike Tamil: ரவிக்கை, Telugu: రవికె(ravike), although choli is the preferred word Telugu Kannada: ರವಿಕೆ) is a midriff-baring blouse or upper garment in the Indian sari costume worn in India, southern Nepal, Pakistan, Sri Lanka, Bangladesh, and other countries where the sari is worn. It is also part of the ghagra choli costume of India. The choli is cut to fit tightly to the body and has short sleeves and a low neck. The choli is usually cropped, allowing exposure of the midriff and the navel.

Choli

The term "choli" is derived from another ruling clan from south, the Cholas. Rajatarangini (meaning the 'river of kings'), a tenth-century literary work by Kalhana, states that the Choli from the Deccan was introduced under the royal order of Kashmir. The first cholis were front covering, with choli tied at the back with four strings. Choli of this type are still common in state of Rajasthan. Pre-Christian era paintings of Maharashtra and Gujarat are considered the first recorded examples of choli. Poetic references from works like Silapadikkaram indicate that during the Sangam period 3rd century BC - 4th century CE in ancient South India, a single piece of clothing served as both lower garment and upper shawl. In Kerala, paintings by Raja Ravi Varma indicate women being topless. On the contrary,other historians point to much textual and artistic evidence for various forms of breastband and upper-body-shawl.

Changing times

During the 1960s, a woman was still not considered a 'lady' if her neckline was cut too daringly and bared too much, especially if she wore her sari pallu pulled to one side, giving a glimpse of her bosom. A lady of honour ideally covered her back and upper arms with a blouse made of a thicker fabric. Of course, not every woman followed the norm. In the 1970s and 1980s, the blouses went knotty, criss-crossed with a deep cut, and even shone through the sheer saree. Anupama Raj, a boutique owner commented, "There is a very real need to re-invent the choli so that it can be worn with a variety of outfits. Just as we see the choli to be a deconstructed form of the blouse, we need to deconstruct the choli. Only then, will it be acceptable internationally." Bobby Malik, an exporter-turned-designer commented,"The choli is the most sensuous of all garments created for women. It not only flatters the feminine form, but also brings out the romanticism in a woman. But where Indian designers have failed is at giving it an international look and making it still more beautiful."
Today the entire approach towards the choli is adventurous. Their metamorphosis has taken cholis from being demure and sedate to daring, with adventurous tailoring and innovative necklines, such as halter, tubes, backless or stringed. Designer Manish Malhotra said, "Since most young people follow a healthy gym routine and are at ease with their bodies, they want to look different and still be effortlessly comfortable. They like to travel and carry a sense of Indianness around them."Designer Vikram Phadnis said, "It's also to do with the fact that the new age woman is well-traveled, well-read and open to experimentation." Sonora Kabir, another Delhi-based designer commented, "Normally, the choli is supposed to hover around the navel area. But if you crop the lower edges and combine it with a funky design — beads, embroidery etc.,— it would be chic enough to be worn over jeans or a pair of trousers."

Colours

The colour of the choli is usually matched with the colour of the sari. Currently, the cholis are worn in contrast colours to that of the colour of the sari. Colours like black, white, navy blue, deep purple, crimson red, lemony yellow, hot pink and sea green are mostly preferred.The colour of the moment is shades of blue and aqua.Designers also recommend that the skin tone should be taken into consideration before choosing what colour the blouse should be. Fairer skins are at an advantage as they can carry any colour. Darker hues such as navy and black can make one appear slimmer. Fluorescent colours are mostly avoided.
Other than the colour, prints are also given significance. Embroidery on blouses that use threads of contrasting shades is considered trendy. For formal occasions, embroidered blouses are still very popular. When wearing a crepe sari, richly embroidered, sheer cholis are preferred.Other embellishments that could make an appearance on your blouse include sequins, kundan work and crystals.

Indian Lehengas Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Wedding Ghagra Choli Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Wedding Ghagra Choli Biography

Choli

Changing times

Fabrics

Traditionally, the choli has been made from the same fabric as the sari, with many sari producers adding extra length to their products so that women can cut off the excess fabric at the end of the sari and use it to sew a matching choli. Cholis can be made from many fabrics. For everyday wear, cotton-based materials such as terry-cot and silk cotton are widely considered the most comfortable. Chiffon, silk, crepe and satin are best suited for formal occasions. The ideal fabric for cholis in the summer is chiffon and georgette. Sheer and other transparent fabrics are considered to add glamour, provided they come with an opaque lining in the right places. Cholis made out of velvet and suede are considered the deadliest faux pas in the Indian culture.

Wedding Ghagra Choli Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Sarees From India Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers

Sarees From India Biography

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A sari, saree or shari is a South Asian female garment that consists of a drape varying from five to nine yards in length and two to four feet in breadth that is typically wrapped around the waist, with one end draped over the shoulder, baring the midriff.

The sari is usually worn over a petticoat (called 'parkar' (परकर) in Marathi lahaṅgā or lehenga in the north; pavadai in Tamil, pavada (or occasionally langa) in both Kannada and Telugu, chaniyo, parkar, ghaghra, or ghagaro in the west; and shaya in eastern India), with a fitted upper garment commonly called a blouse (ravika in the south and choli elsewhere). The blouse has short sleeves and is usually cropped at the midriff. The sari is associated with grace and is widely regarded as a symbol of Indian, Bangladeshi and Sri Lankan culture.

Etymology

The word sari is derived from Sanskrit शाटी śāṭī which means 'strip of cloth' and शाडी śāḍī or साडी sāḍī in Prakrit, and which was corrupted to sāṛī in Hindi. The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas.This could be equivalent to modern day 'Sari'. The term for female bodice, the choli is derived from another ruling clan from ancient Tamil Nadu, the Cholas.Rajatarangini (meaning the 'river of kings'), a tenth-century literary work by Kalhana, states that the Choli from the Deccan was introduced under the royal order in Kashmir. The concept of Pallava, the end piece in the sari, originated during the Pallavas period and named after the Pallavas, another ruling clan of Ancient Tamilakam.

Origins and history

Adivasi women in saris in Madhya Pradesh, India
The word sari is derived from Sanskrit शाटी śāṭī which means 'strip of cloth' and शाडी śāḍī or साडी sāḍī in Prakrit, and which was corrupted to sāṛī in Hindi. The word 'Sattika' is mentioned as describing women's attire in ancient India in Buddhist Jain literature called Jatakas. This could be equivalent to modern day 'Sari'.

In the history of Indian clothing the sari is traced back to the Indus Valley Civilisation, which flourished during 2800–1800 BC around the western part of the Indian subcontinent.The earliest known depiction of the sari in the Indian subcontinent is the statue of an Indus Valley priest wearing a drape.

Ancient Tamil poetry, such as the Silappadhikaram and the Sanskrit work, Kadambari by Banabhatta, describes women in exquisite drapery or sari.The ancient stone inscription from Gangaikonda Cholapuram in old Tamil scripts has a reference to hand weaving. In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the sari.

Sculptures from the Gandhara, Mathura and Gupta schools (1st–6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.

Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band called 'Kurpasika' or 'Stanapatta' and occasionally a wrap called 'Uttariya' that could at times be used to cover the upper body or head. The two-piece Kerala mundum neryathum (mundu, a dhoti or sarong, neryath, a shawl, in Malayalam) is a survival of ancient Indian clothing styles. The one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.

It is generally accepted that wrapped sari-like garments for lower body and sometimes shawls or scarf like garment called 'uttariya' for upper body, have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years. In ancient couture the lower garment was called 'nivi' or 'nivi bandha', while the upper body was mostly left bare. The works of Kalidasa mentions 'Kurpasika' a form of tight fitting breast band that simply covered the breasts. It was also sometimes referred to as 'Uttarasanga' or 'Stanapatta'.

Sarees From India Indian Lehnga Dress Suites Design 2014 Choli Photos Pics Images Wallpapers